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Free Productivity learning guide

How to Write a Novel for Beginners

How to Write a Novel for Beginners — a free beginner-level guide covering how to write a novel for beginners. Learn with clear explanations, real...

71 min read8 chaptersbeginner

What you will learn

  1. Seedha Idea Khada Kar: Apna Masterpiece Shuru Kar
  2. Hero, Villain aur Sidekicks: Apne Characters ko Zinda Kar
  3. Setu-Paisa Vasool: Apni Duniya Bana aur Macha De Dhamaal
  4. Khel Ki Kahaani: Plot Outline aur Structure Thok
  5. Pehla Draft Pakad: Daro Mat, Bas Likh Daal
  6. Bole Toh Bindass: Dialogue aur Pacing Ka Khel
  7. Surgery Time: Apne Draft ko Ripar aur Polish Kar
  8. Market Mein Aukaat: Publish Karne ki Aakhri Chadhai

1. Seedha Idea Khada Kar: Apna Masterpiece Shuru Kar

Soch ke baitha hai ki "Bhai main ek novel likhunga aur duniya ghumega meri chaap." Asliyat ye hai ki bina foundation ke building uthane ki koshish kar raha hai. Mumbai ki local train ka peak hour hai, aur tu chhut ke akele compartment mein aaram se baithne ki soch raha hai. Bhai, bina idea ke novel shuru karna wahi hai. Pehle line pakad, fir gaadi chala. Aaj hum nanga karke bata rahe hain ki ek solid story idea kaise nikalta hai, jisme aag ho, jisme dhamaka ho. Seedha point pe aate hain. Ek Line Ka Jaadu: Apni Puri Kahaani Ek Sentence Mein Pakde Kuch log idea bolte waqt aise start karte hain: "Bhai, meri story ek aise ladke ke baare mein hai jo Mumbai mein aata hai, aur uska breakup ho jata hai, aur fir usko ek kutta milta hai, aur fir us kutte ko kuch log chase karte hain..." Ruk. Bakwas band. Agar tu apni story ko ek line mein nahi bata sakta, toh tera idea abhi paka nahi hai. Adha pakka paratha hai jo pet kharab karega. Tujhe apni story ka Premise chahiye. Premise matlab teri story ki soul. Ek sentence jo bataye ki yeh kahaani kiske baare mein hai, aur uska main kalesh kya hai. Desi Example: Gali cricket khelte ho na? Jab striker crease pe aata hai, toh usko pehle ball kahan aayegi yeh dekhna padta hai. Agar wo seedha khada hoke sochega ki "main swing maarunga ya straight drive," toh wo out ho jayega. Usko ek shot fix karna padta hai. Wahi premise hai. Ek shot, ek line, ek direction. Premise banane ka formula simple hai: [Main Character] + [Uski situation/Goal] + [Uske saamne khatra ya rukawat] = Tera Premise. Example 1: Ek tangd aurat [Character] ko apne pati ke murder ka shak hai [Situation], aur killer uske ghar ke andar ghuse baitha hai [Khatra]. Example 2: Ek bekaar college student [Character] ko 24 ghante mein 10 lakh rupaye chahiye [Goal], warna uska ghar bank le lega [Khatra]. Dekha? Itna saaf. Agar tujhe apna premise ek line mein nahi bol sakte, toh reader ko 300 page kyun padhne padenge? Time hai kya jhaka maarne ke liye? Takeaway: Agar idea ek line mein na samjh aaye, toh usko daba ke rakh. Pakka nahi hai abhi. --- Aag Hai Kya Bhadke?: Apne Idea Ka Litmus Test Har koi sochta hai uska idea unique hai. "Bhai, main aisi story likh raha hoon jisme hero time travel karta hai aur past mein jaake apni crush ko bachata hai." Bhai, 'Back to the Future' dekhi hai kabhi? 'Interstellar' suna hai? Yeh sab ho chuka hai. Tera idea sirf 'cool' nahi hona chahiye, usme aag honi chahiye. Wo aag kya hai? …

2. Hero, Villain aur Sidekicks: Apne Characters ko Zinda Kar

Kahani mein jab hero entry maarta hai na, toh paani chahiye. Par agar uske peeche koi solid villain nahi hai, toh wo hero kya hai? Bas ek ladka hai jo bina kisi opposition ke traffic signal pe free-left le raha hai. Boring! Pehle chapter mein humne premise aur conflict ka nanga naach karke dikhaya tha. Ab waqt hai us premise ko flesh aur khoon dene ka. Ek plastic character leke ghoomna band kar. Asli zindagi mein koi perfect nahi hai, toh teri kahaani mein kyun hoga? Chal, dekhte hain tere hero, villain aur unke side mein bhagne wale aashiq kaise banenge. Hero Ka Dhachha: Plastic Se Aatma Tak Dekh, beginner log ek bohot bada aur ghatiya kaam karte hain. Wo apne hero ko bhagwan bana dete hain. Wo kabhi galti nahi karta, hamesha sahi decision leta hai, aur uska jaw line itna perfect hota hai ki usse glass ka kaat bhi ho sakta hai. Bhai, aisi kahaani mein koi interest nahi leta. Hum log asli zindagi mein roz chutiya kat-te hain. Hum subah alarm band karke wapas so jaate hain, diet maintain karne ki kasam todte hain, aur crush ke aage bolte hue atak jaate hain. Toh jab reader tere hero ko padhega, use usme apna kuch toh dikhe. Flaw (Khoobi nahi, Khami) chahiye. Agar tera hero darrta nahi hai, toh uska brave hona kisi kaam ka nahi. Darr ke maare kaanpna aur phir bhi aage badhna — yeh hota hai asli heroism. Real Life Example: Local train ka scene dekh. Subah 9 baje Churchgate ki local mein chadhne ki jagah nahi hoti. Ek aam aadmi darwaze pe phasa hota hai, pair dabvaye jaate hain. Ab is scene mein tere hero ka kya role hai? Wo aaram se chadh ke window pe baith jayega? Nahi. Wo aadha bahar latakta hua, kisi tarah andar ghusne ki koshish karega, ek aadmi ko dhakka dega, maafi bolega, aur phir kisi tarah seat pakdega. Yeh real hai. Isme struggle hai. Motivation (Wo kyun kar raha hai?): Hero ko sirf ek goal nahi chahiye, usko ek aag chahiye. Wo local kyun pakad raha hai? Kyunki uski job lagti hai, warna usko ghar se nikal diya jayega. Stakes pehle chapter mein clear ho gaye the, ab in stakes ko hero ke andar baitha. Takeaway: Apne hero ko pedestal se utaar zameen pe. Uske chubhte hue kaano aur phate hue jute dikhao. Perfectness ki dukaan band, flawed insaan khol. Villain Ka Khopcha: Sirf Kalesh Nahi, Vajah Chahiye Beginner writer ko lagta hai villain ka kaam sirf hasna aur hero ki band bajaana hai. Wo thodi si der mein poori duniya ko tabah karna chahta hai "kyunki wo bura hai." Abe kya bakwas hai yeh? Koi aise hi …

3. Setu-Paisa Vasool: Apni Duniya Bana aur Macha De Dhamaal

Kahani mein hero entry maarta hai, cycle se aata hai ya chhadi par udta hai—par kahan aata hai? Hawa mein? Agar tu ne ground clear nahi rakha, toh reader ka dimaag wahi latak jayega jahan teri story ka logic. Setting aur world-building ka matlab sirf yeh nahi ki tu kitne mehenge words use karke city ka description de raha hai. Iska matlab hai ki tu apne reader ko ek aisi jagah le ja raha hai jahan wo khud ko feel kar sake. Aur agar tu ne yeh setu-paisa vasool nahi kiya, toh log kalesh chhodke book wahi rakh denge. Chalo, iski neeli peeli samajhte hain. Time aur Place: Ground Khada Kar, Hawa Mein Mat Udha Pehla kaam: apne story ka time aur place lock kar. Yeh kab ho raha hai? 1992 ka Bombay? 2050 ka Delhi? Ya kisi aisi duniya mein jahan log WiFi ke bajaye telepathy se baat karte hain? Agar tu soch raha hai ki "Arre boss, time toh baad mein decide kar lunga," toh ruk. Yeh wahi bakchodi hai jab tu ghar se nikalta hai bina destination decide kiye, aur end mein Andheri station par khada ho ke sochta hai ki ab kahan jaana hai. Time aur place fix karne se tera framework ban jata hai. 1980 ki Mumbai ki gali ka hero Google Maps use nahi karega. Wo dabbawala ki cycle churayega ya local train pakdega. Agar tu modern era rakh raha hai, toh dating app pe left-right swipe ka kalesh aayega. Ground clear hoga toh details apne aap aayengi. Desi Example: Soch le tu ek scene likh raha hai jahan do characters mil rahe hain. Agar jagah "Mumbai ki sadak" hai, toh wahan auto wala meter down karke chillayega, vada pav ka thela hoga, aur barish ki boondon ke saath mitti ki khushbu aayegi. Agar jagah "Delhi ki sadak" hai, toh balle-balle wali gaadi, thoda zyada aggressive traffic, aur "tu jaanta nahi mera baap kaun hai" ka mahaul hoga. Same scene, do alag jagah—ekdum alag vibe. Pakka kar kahan aur kab khelna hai. Takeaway: Time aur place lock kar, warna reader latak ke wahi sochega ki yeh koi alien planet hai ya Rajouri Garden. World-Building ke Rules: Chhed Mat, Warnah Logic Ka Panga World-building ke rules. Sun, yeh sabse zyada wahan fail hote hain jo fantasy ya sci-fi likhte hain. Par yeh rule yahan bhi apply hota hai. Tu apni duniya ke rules set kar. Agar teri duniya mein magic hai, toh uski limit kya hai? Kya log hawa mein ud sakte hain? Kitni der tak? Agar koi udte udte thak gaya, toh kya wo seedha neeche girega ya usko juice peena padega recover karne ke liye? Agar tu ne rules set kiye, toh unko …

4. Khel Ki Kahaani: Plot Outline aur Structure Thok

Bina map ke nagphani (desert) mein ghusta hai koi? Jo karta hai, woh randwa banke mar jaata hai. Novel likhna bilkul waisa hai. Tu character bana chuka hai, duniya set kar chuka hai, par agar structure nahi hai, toh tu 30,000 words likhne ke baad akele akele "ab kya likhu?" bolte hue roadpe baith jayega. Pehle chapter mein humne Premise aur Conflict thoka tha. Ab waqt hai us kalesh ko track par lagane ka. Story ki spine todne nahi deni. Agar structure strong hai, toh likhna makkhan hai. Nahi hai, toh 500 pages ka kachra tayar. Choice tera hai. Teen Act Ka Khel: Shuru, Madhya aur Ant Koi bhi movie, novel ya webseries—chahe Hollywood ho ya Tollywood—ka backbone teen hisso mein bata hota hai. Isey 3-Act Structure bolte hain. Yeh koi angrezon ka jaadu nahi hai, yeh insaan ke dimaag ka natural flow hai. Har kahaani mein ek shuruaat hoti hai, ek jhanjat hota hai, aur ek end hota hai. Simple. Act 1: Shuruaat (The Setup) Yahan tu hero ko uski normal life mein dikhata hai. Mumbai ki local train mein uski aukaat kya hai. Yahan reader ko batana padta hai ki kuttta kahan se bhonk raha hai. Is act ka kaam hai reader ko hook karna aur ek aisi cheez dena jisse poori story shuru ho. Isey Inciting Incident bolte hain. Ek patthar ko pani mein fek, aur kalesh shuru. Act 2: Madhya (The Confrontation) Yeh sabse bada hissa hai. Yahan tera hero gaadi chala raha hai, par roadpotholes se bhara hua hai. Yahan character apne andar ke darr se ladta hai, bahar ke villain se takrata hai. Beech mein ek aisa point aata hai jahan lagta hai ki sab khatam ho gaya, kuch nahi bacha. Isey Midpoint bolte hain. Act 2 ka end tab hota hai jab hero sabse badi haar khata hai aur All is Lost ka moment aata hai. Act 3: Ant (The Resolution) Ab hero utha. Ab wo apni galtiyon se seekha hai. Apne kachre ko saaf kiya aur villain ke muh par ek solid punch maara. Yahan tu story ko wrap karta hai. Loose ends ko baandhta hai aur reader ko ek aisi feeling deta hai ki paisa vasool ho gaya. Desi Example: Gali cricket khel. Act 1: Toss hua, dono team ne apne batsman bheje. Wickets girne shuru hui. (Setup) Act 2: Beech mein match tied ho gaya, ya phir opposite team ke bowlers ne tere hero ko maar diya. Lag raha tha haar jayenge. (Confrontation) Act 3: Last ball pe chhakka, ya phir last wicket ki partnership ne match palat diya. (Resolution) Catch kar raha hai scene? Story ko 3 box mein baant, dimaag halka rahega. Raste Ke Patthar: Plot Points aur …

5. Pehla Draft Pakad: Daro Mat, Bas Likh Daal

Screen ka blank page tujhe dekh raha hai. Bina palke jhapke. Tu usko dekh raha hai. Dono ke beech mein ek aisi ajeeb si staring competition chal rahi hai jisme tera hi dimaag peeche hat raha hai. "Aaj nahi, kal se pakka," aisi dialogue baazi toh tu roz de raha hai. Bhai, kal ko kaam wale din mein daal ke chhod diya hai. Seedha bol—terse dimaag mein keeda hai ya writer's block ka bhoot? Sach bolun toh, writer's block jaisi koi cheez hoti hi nahi hai. Yeh sab tera internal mamu hai jo perfection ke chakkar mein phasa hua hai. Tu sochta hai, "Pehla word aisa aana chahiye ki Shakespeare niche aa ke mujhe gale lagaye." Hadd hai yaar! Yeh chapter hai tere andar ke overthinker ko thokne ka. Pehla draft koi diamond nahi hai jo tujhe polish karke laana hai. Yeh ek kacchi mitti ka dher hai. Jo bhains ka saman (manure) daalega, wahi ugaayega. Baad mein usko surgery (editing) ki table pe rakhne ka time aayega, abhi nahi. Abhi ka kaam hai bas... likh daalna. Daro mat, bas likh daal. Overthinking Ka Shraap: Perfect Ko Goli Maaro Tu apne plot outline aur characters ki file khol ke baith gaya. Sab ready hai. Hero ki khami pata hai, villain ka kalesh pata hai. Par jaise hi tu likhna shuru karta hai, ek chota sa saudagar dimaag mein aake bolta hai, "Yeh dialogue thoda kachra lag raha hai. Yeh scene kaafi lamba ho gaya. Log kya kahenge?" Are bhai, log abhi kya kahenge? Tu abhi tak ek word bhi type nahi kiya! Tera first draft tere baap ka khet nahi hai ki har ped (word) perfect aur sookha ho. First draft ka kaam perfect hona nahi hai, uska kaam hai banta hona. Tu usko ganda hone de. Tu usko kachra hone de. Par likhna toh hai. Desi Example: Soch le tu ek vada pav ka thela lagane wala hai. Pehle din tu kya karega? Kya tu sochega ki patti kaisi katni hai, chutney mein kitna mircha hona chahiye, ya plate ka design kaisa hoga? Nahi, bhai! Pehle din tu bas besan ghoondega, pav sekenga aur kachra faila dega. Kuch vada jalenge, kuch kacche rahenge. Par agle din tu wapas aayega, usko theek karega. Lekin agar tu sochta rahega ki "mera vada pav Mumbai ka best hona chahiye" aur ghoondne baitha hi nahi, toh bhookha mar jaayega. Same logic: Perfect ka chakkar teri kahaani ko draft hone se pehle hi maar dega. Takeaway: First draft is you telling the story to yourself. Baad ke logon ke liye editing hai. Abhi apne overthinking ke dimaag pe ek chata (slipper) maaro aur bas type karo. Messy Cave Banaiye: Focus Ka Bhasma Kahaani likhna …

6. Bole Toh Bindass: Dialogue aur Pacing Ka Khel

Sun, tera character dimaag mein ekdum katil hai. Uska past, uske traumas, sab tune note kar liya hai. Par jab wo apna muh kholega, toh kya wo aisa bolega jaise school ka baccha poetry recite kar raha hai? Agar aisa hai, toh teri kahaani ki watt lagne wali hai. Reader ko tera character bolta hua sunna chahiye, padhta hua nahi. Aur uski baaton ke beech mein aisi speed honi chahiye ki reader ka ungli page par hi ruk jaaye. Aaj pakad is dialogue aur pacing ke game ko. Seedha point pe aate hain. Muh Ki Boli: Dialogues Jo Seedha Dimaag Pe Lagin Kuch logon ko lagta hai ki dialogue bas do logon ki baat-cheet hai. Galat. Dialogue tera sabse bada weapon hai character ko expose karne ka. Ek gali ki cricket match ko soch. Wahan pe har baccha apni aukaat aur apni frustration nikaal raha hai. Ek jo shant baithke strategy banata hai, aur ek jo har ball pe chillata hai. Dono ki personality alag hai, na? Tere novel mein bhi yahi hona chahiye. Tera Hero agar ek Dilli ka launda hai, toh uski tone alag hogi. Agar villain ek corporate shark hai, toh wo apni baat mein 'synergy' aur 'leverage' jaise bhonsdi ke words use karega. Natural Flow Kaise Laaye? Sabse pehle mistake jo beginners karte hain wo hai 'Exposition Dump'. Yani do character milte hain aur ek bolta hai, "Arre mere bhai, jaise pata hai hum paanch saal pehle Mumbai mein mile the jab tera business dooba tha aur maine tujhe 5000 rupee diye the." Bhai, koi aise baat nahi karta! Real life mein log half sentences bolte hain. Unka past unke current behaviour mein dikhna chahiye. Desi Example: Tere do character hain—Rahul aur Amit. Amit ne Rahul ka paise chura liye hain. Ab dono ek cafe mein baithe hain. Beginner aayega yahan: "Rahul, mujhe maaf kar de. Maine tera paisa churaya kyunki mujhe apni maa ka ilaaj karwana tha aur main majboor tha." (Yeh doctor ki report padh raha hai kya?) Bindass writer aayega yahan: Rahul ne coffee ka cup tezi se table pe rakha. "Bhai, teri aankhon mein wo sharam nahi hai jo pehle thi." Amit ne uski taraf dekhe bina sugar stir karna continue kiya. "Sharam paise se nahi milti, Rahul. Aur ilaaj ke liye toh kuch bhi karoge." Samjha kya? Pata chal gaya ki Amit ne paise liye hain, reason bhi pata chal gaya, par kisi ne flat out 'I am sorry' wali bakchodi nahi ki. Show, Don't Tell: Abey Muh Pe Mat Bata, Dikha! Yeh rule kahani likhne ka Rudraksh hai. Tu reader ko bewakoof mat samajh. Tu unhe baata mat ki tera character gussa mein hai, unhe dikha ki wo gussa mein …

7. Surgery Time: Apne Draft ko Ripar aur Polish Kar

Pehla draft tayar ho gaya hai? Bhai, tera toh dil ghuma hoga, lagta hoga jaise Everest pahad chad liya. Par sach sun: abhi tak tu sirf mitti ka dher khada kiya hai. Ise building banana baaki hai. Pehla draft hamesha kachra hota hai, aur iska matlab yeh nahi ki tu kharab writer hai. Iska matlab yeh hai ki tera kaam abhi shuru hua hai. Surgery ka time aa gaya hai, scalpel utha aur draft ko nanga karke de. Khoon-Paseena Ek Taraf, Structural Editing Doosri Taraf Pehla draft likhte waqt tu flow mein hota hai. Us waqt tu sochta hai, "Bhai kya dialogue maara, kya scene banaya!" Par waqt ke saath, jab tu usko dobara padhta hai, toh pata chalta hai ki tera hero shehar ke ek chowk pe hai, aur agle paragraph mein achanak wo pahaadon pe chala gaya bina kisi transport ke. Yeh chhed (plot holes) hain. Structural editing ka matlab hai seedha story ke map ko check karna. Story seedha chal rahi hai ya gol-gol ghoom rahi hai? Tere character ka safar logical lag raha hai ya forced? Gali cricket khel rahe ho. Ek bande ne pichhli gend pe chhakka maara, aur agli gend pe achanak se pichhe mud ke apne hi wicket ko ball maarke out ho gaya. Bhai, kya scene tha? Koi sense banati hai yeh? Story mein bhi yahi hota hai. Agar tere character ne chapter 4 mein bole toh bindass nature dikhayi, aur chapter 5 mein wo darr ke maare bhaag raha hai bina kisi wajah ke, toh audience boli, "Bhai, yeh kya tamasha hai?" Structural Editing ke Steps: 1. Plot Holes Dhund: Koi sawal aise mat chhod jo reader ko pareshan kare. Agar chapter 2 mein ek raaz bataya tha, toh kya chapter 10 mein uska paya khula? 2. Character Arc Check: Tera hero shuru mein kaisa tha, akhir mein kaisa hai? Agar usme koi badlaav nahi aaya, toh bhai tu ek ghaas kaatne wali machine likh raha hai, novel nahi. 3. Scene ki Zaroorat: Kya is scene ki zaroorat hai? Agar koi scene kahaani ko aage nahi badha raha, toh usko kaat do. Bina matlab ka bakwaas mat kar. Takeaway: Kahaani ka structure ek local train ki tarah honi chahiye. Stop aane wale hain, time pe aana wala hai. Achanak patakke phod ke track se bahar nahi nikalna. Sentence Pe Ghamand Mat Kar, Line Editing Ka Kamaal Jab structure tight ho jaye, tab language pe dhyaan do. Yahan line editing aati hai. Tere sentences lamba-chaura ho sakta hai, par kya wo padhne mein maza de rahe hain? Bahut log likhte hain: "Wo ek sundar ladki thi jiske baal lambe the aur aankhein neeli thi aur wo muskurati thi." Bhai, yeh kya hai? …

8. Market Mein Aukaat: Publish Karne ki Aakhri Chadhai

Lekar aaya hai apna 500-paged baccha. Saari raaton ki neend hui kaput, coffee ki pipiyan ganga-jamuna ho gayi, aur ab file ready hai. Ab time hai isko duniya ke saamne nanga naach karwaane ka. Beta, draft likhna aadha yudh tha, ab shehar ki deewaar pe poster lagani hai. Market mein aukaat dikhaani padti hai, warna teri mehnat ka koi bhaijaan nahi hai. Traditional vs Self-Publishing: Kiska Khel Khoon Kha Gaya? Pehle basic funda clear karte hain. Tu raste pe khada hai, aage do raste hain. Ek woh jahan bade seth log tujhe paisa denge aur tera kaam chhapenge (Traditional Publishing). Doosra woh jahan tu khud seth banega, khud printer lagayega, khud chillar jeb mein daalega (Self-Publishing). Traditional Publishing: Yeh woh hai jaise Mumbai local ki first-class compartment mein bina ticket ghusna. Bahar se bhayankar bhaari lagti hai, andar AC hai, par andar ghusna almost namumkin hai. Yahan tu apna manuscript bade publishers (jaise HarperCollins, Penguin, Juggernaut) ko bhejta hai. Agar unhe pasand aaya, toh woh tujhe advance dete hain (pata nahi kitna, market depends karta hai), editing karte hain, cover banate hain, aur distribution ke liye bookstores mein rakhte hain. Fayda? Tujhe credibility milti hai. "Mera book Penguin ne publish kiya" bolne ka alag hi swaad hai. Nuksaan? Time leta hai bhai. Aram se 1-2 saal lag jaate hain. Aur creative control nahi hai. Woh kehenge cover yeh hoga, title yeh rahega, tu bas chup chap bolna "Ji sir". Self-Publishing (Indie Route): Yeh teri apni tapri hai. Tu khud bani hui chai beega, khud bhajiya fry karega. Platforms jaise Amazon KDP (Kindle Direct Publishing) hai, jahan tu free mein apni book upload kar sakta hai. Fayda? 100% creative control tera hai. 70% tak royalty mil sakti hai (traditional mein 7-10% hoti hai). Book live hone mein 24 ghante lagte hain. Nuksaan? Saara kalesh tera sir pe hai. Editing, cover design, formatting, marketing—sab tu karega, ya apni jeb se karwayega. Aur bookstores mein teri book physically nahi milegi unless tu khud print karke distribute kare. Takeaway: Traditional mein izzat aur sukh hai par darwaza patla hai. Self-publishing mein azaadi aur paisa hai, par apni ungliyon ki mehnat poori padti hai. Query Letter aur Synopsis: Apni Bandi ka Biodata Kaise Banaye? Agar tune traditional route chuna hai, toh tujhe publisher ya literary agent ko approach karna padega. Unke paas time nahi hai ki wo 80,000 words ka kachra padh lein. Unko ek "Trailer" chahiye. Iske do hisse hain: Query Letter aur Synopsis. Query Letter: Lift Mein Pitch Soch, tu lift mein hai aur achanak Shah Rukh Khan enter hoya. Lift 10th floor tak rukne wali nahi. Uske aage 30 second hain tere paas usko bolne ke liye ki teri picture kaisi hai. …

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